EXCURSIONS

(2020/2021)

for tenor saxophone or Bb clarinet, and piano

PUBLISHER: TUX People’s Music | ca. 13-15 minutes (4 movements) | ADVANCED
© 2023 TUX People’s Music, LLC


COMMISSIONED BY: Ben MacDonald and Matthew Hartson
WORLD PREMIERE:
March 9, 2020 | Ben MacDonald (tenor saxophone), Casey Dierlam Tse (piano) | North American Saxophone Alliance Biennial Conference (2020), Katzin Concert Hall, Arizona State University, Tempe, Arizona



Excursions is a fun and mostly light-hearted work which showcases the idiomatic, technical, and lyrical capabilities of the tenor saxophone or clarinet. The piece is inspired by the variety of different landscapes that comprise the geography of the United States. Embarking on a musical road trip of sorts, each of the relatively short four movements (all of which are played without pause) conjures up imagery of a particular geographical landscape. The tenor saxophone or clarinet begins predominantly within a state of introversion while the piano starts to lead this journey. However, throughout the piece, the tenor saxophone or clarinet continues to emerge in a necessary and important role equal to the piano as the piano gradually transitions to a more accompanimental role.

The four movements which comprise this work are as follows:

I. Twilit Woods - a beautiful setting of a forest at night bathed in moonlight. There is a sense of magic and mystery ever present.
II. Jagged Peaks - roads that twist and turn in every direction through sharp mountains and steep canyons. Unpredictable rhythms and tall harmonies give way to lyrical passages that search for the route leading away from this chaos.
III. Verdant Meadows - a majestic view of the mountains and canyons left behind leads into a pastoral depicting the peace, tranquility, and celebration of rural fields and green pastures.
IV. Ocean Coastlines - an adventurous trip on the shores of the ocean at its stormiest times. The vibrant thrills of the sea are matched with unpredictable and dangerous hazards of weather and nature at full force.

My sincerest thanks and appreciation to Ben MacDonald and Matthew Hartson for commissioning this piece and granting me the opportunity to write this music for them.